This article contains spoilers For “Jurassic World Rebirth”.
Many filmmakers have been able to leave their unique stamp on the whole number of cinema monsters, but few kept as much bastion on a singular creature as Steven Spielberg with dinosaurs. “Jurassic Park” of 1993 was built on the previous incarnations of these prehistoric animals in films like “The Lost World” by Harry O. Hoyt, “King Kong” and “One Million Years BC” through technological magic that we always try to recover. The mixture of practical effects and innovative jumps in computer -generated images helped establish a world in which dinosaurs were these beautiful terrifying and tangible creatures. It was as if Stan Winston, Phil Tippett and the talented people of Ilm had ripped out these extinguished nature forces.
Regarding Universal, they mainly claimed the definitive screen dinosaurs to whom each of his successors would be compared. “Jurassic Park” should probably have been a single off, but leaving so much money and potential on the table is too attractive to pass. The best you can hope in terms of following ideas is to find similar ways to highlight these magnificent Dino creations against stories and creative characters. Each subsequent “jurassic” payment shows how everyone seemed to have learned the bad lessons of the seismic blockbuster of Spielberg.
Each film “Jurassic” is more concerned with presenting a larger batch of prehistoric creatures larger than everything else is lost in the shuffle. As we arrive at the “Jurassic World” brand change, there is this tired feeling of people who are not as interested in the dinosaurs as before. At this stage, the “Jurassic” series is so far from the singular magic of Spielberg that it is practically unrecognizable. It’s a collection of monster films now, and it’s good. “Jurassic Park III” is the best continuation because it drops the pretension to try to take the magic of Spielberg of the original and undertake to be a 90 -minute creature function.
“Jurassic World Rebirth” by Gareth Edward finds himself in an interesting position where he wants to return to the simple sensations of the original film, while attracting the general public with a good hook. In this case, the dinosaurs of this island are no more than the same, but rather the discharges left by the now disappeared Ingen Corporation. The previous films “Jurassic World”, to a certain extent, have already shown us an overview of this practice with genetically modified hybrids such as Indominus Rex and Indoraptor. In “Rebirth”, however, it is not only episodes of genes that have gone wrong, but mutant creations that are considered the worst. If the series “Jurassic” will continue to bend down, they could just as well become strange and bizarre with the dinosaurs, but this last entry also manages to fall flat on this forehead.
The mutant dinos of the Renaissance of the Jurassic world are both without inspiration and underused
“Rebirth” takes a promising start, but incredibly stupid, while we learn that the harmful Ingen had seized another island of Ile Saint-Hubert like another test field. Marketing is categorically found by saying that this is where the rejections for the original “Jurassic Park” were left behind. Given the logistics of the chronology, however, the site C is more an experimental center for dinosaurs which would eventually be transferred to “Jurassic World”. The island is about to be visited by a group of black ops mercenaries led by the Zora of Scarlett Johansson in the name of a pharmaceutical expedition to extract three blood samples which could lead to the eradication of heart disease.
In the opening of “Rebirth”, we are presented at the Dinosaur Mutant Phare which is on all posters with the Distortus Rex. A scientist of persistent leafy -leaf manages to screw up the entire operation of the island using a snickers packaging that is taken in the machination, which means that all operations are sealing. Behind the window, it is clear that the figure wrapped in the D-Rex is beyond any “Jurassic” creature that we have ever seen. This teasing clearly puts the D-Rex as the big villain of the film, but the dino only returns to melee with less than 15 minutes to do.
Part of what makes “Renaissance” such a colossal disappointment is that it is such an endless slog of nostalgia nostalgia and disappointing characters. You go so long without the D-Rex that when he shows himself, the excitement factor has been sucked in with all the experience, which makes it fair another obstacle to pass. Once we could see what the D-Rex looks like in all its glory, it is a little more than a grudge grafted on a T-Rex body, which is simply not enough to sell on the “worst of the worst”.
There is another mutant perspective called mutadon, which is a mixture of a pterosaur and a velociraptor. Given the way in which the previous films “Jurassic World” sterilized the fear factor with raptors, it is logical that giving them the ability to fly seems to be a terrifying concept. Alas, mutadon is just as much disappointment, if not more. You have an overview throughout the back half of the film going down on regular raptors sneaking on their prey. But instead of impregnating them with their own personality, their big piece is reduced to recreate the raptors in the kitchen room of “Jurassic Park”, but in an island 7-11 instead.
The problem with these two mutants is that they are not very frightening or convincing film monsters. It is as if “the Renaissance” was afraid of becoming a crazy scientist and of letting these things be ready -to -use abominations, not to mention those who really represent any kind of credible threat for his whole. What is even more disappointing is that they are all overshadowed by the most loved creature in the series without practically no modification.
Mutant dinosaurs are again beaten by the tyrannosaurus rex
In the first two films “Jurassic Park”, no dinosaur holds a crown at the T-Rex, which strikes fear in the heart of anyone who falls on his way. When we arrive at “Jurassic Park III”, however, it is removed by a voracious spinosaurus which slides her crown in the first act in a piece of welcome subversion. The “Jurassic World” films can offer various hybrids to dethrone it, but in the end, Mama T-Rex establishes its domination with ease. “Rebirth” was an ideal opportunity to make it look like a relic of the past with the arrival of the D-Rex and various other mutants, but the most effective sequence of the film is with the queen of dinosaurs.
“Rebirth” makes an admirable attempt to recreate the raft sequence of the original novel of “Jurassic Park” by Michael Crichton, and it is the most impressive game because the Blocked Delgado family must quietly escape the Titan before waking up. The cinematographic version sees the T-Rex emerging from its sleep and chasing this family in a series of rapids, the most scary moment being the young Isabella (Audrina Miranda) trapped below while these jaws threaten to clear it. In fact, I thought it was going to let a child die in one of them, then I remembered that it was a film “Jurassic World”. Even thus, this whole sequence questions the need to continue to redo more “dangerous” dinosaurs when the OG always holds all its terrifying power.
The closest “Renaissance” comes to a mutant dinosaur which in fact inspires a kind of fear is with the Titanosaurus and their long and fast, even if they are only present in the scene which is flagrant of the 1993 film. Edwards seemed to be a natural adjustment for the series “Jurassic”, given the way he managed to transmit a great feeling of scope 2014. But “Rebirth” contains very little of its strongest attributes as a filmmaker.
“Jurassic World Rebirth” is now playing in the country’s rooms.
