Tom Cruise took a daring swing in this jewel of Paul Thomas Anderson – and that paid a lot of time

2025 promises to be a monumental year for Tom Cruise And Paul Thomas Anderson. With the next outing of Mission: Impossible – The final calculationThis suggests that the reign of Cruise as Ethan Hunt could end, the emblematic movie star and the celebrity figure seems to write a new chapter of his career by focusing on original stories that hope to reinvigorate his dramatic chops. Working on its biggest budget to date, Anderson’s next film, One battle after anotheran action film with the particularity and the intrigue of There will be blood And The masteris about to be a major cinematographic event similar to a blockbuster of lines. In 1999, Cruise and Anderson were fruitful partners during the development of the history of the opera of the director of sorrow and regret, MagnoliaWith a cruise providing vital improvements to his own character who started the film of the film again.
The explosive and revealing performance of Tom Cruise in “Magnolia” was a career triumph
Twenty years ago, with only a few Mission: Impossible Films to his credit, Tom Cruise was not an “action star” in the kingdom that he is most certainly now. Nowadays, where cinema stars are only cemented by wearing capes or breaking a major franchise, Cruise has become a global feeling by featuring Middlebrow’s dramas on serious problems and the authors focused. Before needing to skip planes and drive motorcycles off the mountains to define his celebrity, a cruise playing a selfish and thorny brother Rainy or a charismatic bartender in Cocktail could attract a mass audience to theaters.
Just when everyone thought that they could reduce the cruise to be a movie star and not a active dramatic chop actor, he delivered one of the most noisy, most vibrant and overwhelming screen performance in recent memory MagnoliaWhich earned him his third native appointment. In the middle of this deep overall distribution, Cruise steals the show as Frank Tj Mackey, motivating speaker and bombed meeting instructor whose rhetoric draws from the misogynist instincts of alienated men. As a character who predicted the contemporary harvest of male rights activists who flood social media platforms and the rise of Incel subcultures, Frank is a lasting character. After Cruise, shed his heart and soul as never before in 1999, which also saw the exit from Stanley Kubrickhaunting romantic drama, Eyes widenedHe seemed to retire to give any performance as vulnerable and revealing again.
Tom Cruise has made his own changes to his character in “Magnolia”
This new version of Tom Cruise, after years of bad advertising, is inclined to be on the guard and the reluctant on his personal life in the press, but he opened during a discussion of questions and answers on his career at the British Film Institute. As a producer of Mission: Impossible Series, Cruise is practically the author of each entry, but his roots to be a close collaborator with a director come back to the development of Frank Mackey with PT Anderson. Describing his artistic process like the one who requires physical expression, he had an alternative vision of the character who did not completely click with him on the script, so he invited Anderson to an adjustment of the wardrobe, but in reality, it would be a theatrical demonstration similar to a Mackey who would leave the director in printing.
Surprisingly so, Frank’s monologue in his seminar was not in his complete form in the original project, and his indelible look either – the leather vest and key hair with fat. Anderson considered Frank carrying “Izod shirts and khakis”, according to Cruise, who replied: “I do not think that it is this guy. Let me show you my instinct on this subject.” When Anderson sat down to watch Cruise demonstrate his creative notes, he learned that he had created a new character by himself. While Cruise rose on the stage of its projection rooms, the lit platform and the brass band of 2001: A Space Odyssey Rolling, the actor brought the Frank Mackey that we would end up seeing life. Cruise recalled that Anderson had a facial reaction that mentioned “What is the F —?” A purely instinctive conception, Cruise hausses the shoulders and pointed out: “I don’t know, it’s MacKey for me!”
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What can we say, man knows what he is doing. After this explosive but enriching presentation, Cruise and Anderson continued their collaboration process. It goes without saying, but the vision of the Cruise of the character prevailed, and We could not imagine Frank Mackey without his sighted appearance and breathtaking monologue he gives to his rabid fans enraged enraged. The role, in addition to being a brilliant portrait of its neglected dramatic chops, reflects the mixture of contagious charm of Cruise in the public sphere and its impenetrable that the press has been trying to decode for years.
The theory of authors often neglects the collaborative aspect of cinema, because the most insightful contributions tend to come from people living in the screen. Tom Cruise is much more than a crazy stunt artist. Although it has been a moment that he has not faltered these muscles, he is quietly one of our most ingenious stars that work today.
Magnolia
- Release date
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December 17, 1999
- Execution time
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188 minutes




