This anime has taken a three -year -old masterful person to make and is one of the most amazing films visually in recent years

The lively industry is unmatched by any other art form in the world, but imagine an artist who has rebelled from the conventional standards of Japanese animation to prove a point. Enter the animator Shingo Tamagawa, Of which the ambitious, living visually and the short film by hand goes beyond what the animated series on a large modern budget and tentacular franchises are trying to be. Just over three minutes, Cuparia (2020) is a rare type of miracle that has left an excessive impact on those who met him.

After losing interest in drawing at the Sunrise studio, Tamagawa left the commercial animation and took a break to refocus, according to Caricature. Three meticulous years later, the host created the revolutionary indie short film, Cuparia. This silent and meditative visual poem has arrived on YouTube with a little more than a whisper and still managed to feel like an alarm clock for the whole anime community.

“ Cuparia ” was born after the host Shingo Tamagawa became disillusioned with commercial anime

“No matter how hard you work,” comments Shingo Tamagawa in the documentary Three minutes, three years old: Puparia,, “Animation is something that is consumable.” Cuparia is nothing less than a love work that redefines what a person can achieve with pure artistic devotion. Tamagawa, who had become disillusioned with the anime commercial industry, has moved away from continuing something personal and not filtered, allowing its intuition to guide the work. The result is a surrealist dream landscape drawn by hand filled with derivative figures, soft pencil lines and silent symbolism that resists an easy explanation. In an industry known for its exhausting production hours and rigid surveillance of the committee, Tamagawa separated to create something deeply personal, without compromise and completely independent. What makes Cuparia So, extraordinary, it is not only his style, although it alone is sufficient to interrupt anyone in mid-term. This is the story behind the film – an entirely solo effort of anartist who initially hated his drawings. However, his dedication never stopped.

The name Cuparia refers to the protective case in which a PUPA awaits before turning into its adult form. This metaphor infiltrates all corners of the court. The visuals take place slowly, dreamlike and surrealist, as if they looked at the world to move just before a big awakening or collapse. There is no plot in the conventional sense. Instead, we move through vignettes linked to links with a girl sitting in an abstract garden, figures in the eyes of insects fixing a futuristic girl and a naked man chased by a creature of Racing Whew like. These are not scenes intended to be interpreted linearly. They are, in theory, the moods expressed by movement and texture.

Recalling the Ghibli studio filmography, each frame is meticulously drawn by hand with a pencil and paper, which looks like a rarity in the world of digital animation. The characters are distinct but familiar, surrounded by bizarre landscapes. The backgrounds extend like landscapes forgotten from a peak memory. The level of detail is amazing, But what is even more striking is how Tamagawa uses silence and space. Where so many modern animated works grow towards volume – fast cuts, dramatic scores, an exaggerated emotion –Cuparia invites immobility. It offers the spectator an intimate and interpretative experience.

Tamagawa quotes influences like Hayao Miyazaki and “Spider-Man: Into the Spider-Ver” for his artistic style in “Puparia”

Tamagawa said little about the exact meaning of Cuparia,, What is a choice considers that deliberate; This ambiguity is what allows Cuparia Damile in the mind long after his brief competition. He draws in something instinctive, something that does not need to be understood, encouraging the spectator to sit with Cuparia And let her images speak directly to the subconscious. Tamagawa’s distance from live industry was not a rebellion as much as a retirement – an artist drawing noise in order to find a clearer voice. At a time when artists are constantly invited to produce more content more quickly, Tamagawa chose the opposite path: To slow down and prioritize intention in relation to profits. Cuparia Also serves as a powerful declaration on creative autonomy – without investors or production committees to respond, Tamagawa used his own associated work economies he made for sunrise, by Three minutes, three years: Puparia. It was inspired by artistic influences like Hayao Miyazaki And Hideaki AnnoTime, and Spider-man: in the spider For CupariaArt style.

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In the years that followed its release, Cuparia has quietly raised millions of views, Inspiring artists, animators and filmmakers. More importantly, the film woke up conversations on the emotional possibilities of hand -drawn animation – a medium which, despite the rise of 3D and CGI tools, always has unrivaled intimacy and depth. In many ways, Cuparia Feel like a timeless work: it does not respond to trends, and that is not part of a franchise. But it may be precisely why it creates such an impression. In a culture overloaded with content designed to be consumed quickly and forgotten just as quickly, Cuparia insists on the presence.

Shingo Tamagawa may not have undertaken to create a cultural benchmark, but by choosing to follow his own internal rhythm, he did exactly that. Cuparia is simply a beautiful short film that reminds the world the unlimited possibilities of animation and, even more, the connection. “I do the animation to create new things and generate new emotions that I have never felt before,” said Shingo Tamagawa in the documentary. “I believe that everyone has this joy inside them. I think all the industry could be happier if we could rotate in this direction, just a little more.” Cuparia is an example of strange and wonderful places Human imagination can take us when we dare to slow down and take the moment. And sometimes three minutes are everything you need.

Cuparia

Release date

November 20, 2020

Execution time

3 minutes

Director

Shingo Tamagawa

Writers

Shingo Tamagawa