“ The biggest reachor combat scenes perfectly reveal why he is the deadliest hero

Few television shows on the action measure up to Director. Most episodes of the successful television series present an exciting action or combat scene. Action scenes in Director Leans strongly towards grainy realism and anchored on flash and style. In addition, the best combat sequences of the program outsource the character of his holder hero, Jack Reacher (Alan Ritchon), as an individual. It is time to dive deeper into the combat sequences of Director And what they say about the series full of action.

“ Reachor action scenes promote substance rather than style

Reachder’s action scenes are not concerned with a dramatic flair, presenting the brutal elimination of an opponent threatening as quickly as possible. Reacher does not look for style points when he fights a thug or a attacker. Its main objective generally involves removing your opponent without allowing them to do the same. Reacher must quickly finish his opponent before being able to strike, or before being able to reach a pistol or a weapon. For example, let’s take a look The fight of the prison of the first in the series, “Bienvenue à Margrave”. During the combat scene, Reveller quickly realized that he and Paul Hubble (Marc Bendavid) are about to be attacked by several detainees in a prison bathroom. Reacher assumed that the only way they can survive is to fight.

The combat scene in the prison bathroom lasts less than two minutes, and The seller manages not to allow and eliminate the threat of the four detainees. He always remembers keeping an eye on their improvised prison knife and keeping him away from him at any time. Looking attaches his thumb in the orbit of one of the thugs, then breaks his arm to make him fall his knife. He then proceeded to another man in the wall and removed the prisoner’s ankle. In record time, Reacher stops the danger before the prison guards finally seem to probe the carnage. It was a dirty and ugly fight because Réachoder understood the issues.

Before the start of the fight, Reacher warns the detainees he will have three, and he launched the first strike before finishing the count to take the prisoners off guard. Rechound understands that he does not participate in a fair fight, so he does not fight fairly either. He is a former soldier and a finely perfected weapon, and he wants to find the necessary means to eliminate the threat for his livelihoods as quickly and effectively as possible. Combat scenes in Director favor realistic quality. THE Action is always based on realityApart from a few rare moments of crazy exploits of the Reachder force, which can be explained as its blood pumping increased levels of adrenaline. RECHOOD does not seek to gain a fight by points of style, which emulates the life of life.

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The combat scenes in “Reacher” correspond to the personality of the hero

Roscoe Conklin (Willa Fitzgerald) Summarizes Jack Reacher quite seriously in the first episode of the series, when she serves him a cup of coffee while holding him suspected of murder. Of course, the fan only likes to drink your black coffee, no cream and no sugar.

Conklin says that she assumed that he would like black, saying he seems to be a “guy without heads”, and that the cream and sugar are absurd. At the moment, Conklin precisely sums up the Laconic Reward: he is a simple, practical and pragmatic individual. He has no use for fast cars, wealth, fantasy clothes or expensive food. He’s going where he likes with just a toothbrush and the clothes on his back. Reacher is a land-to-terre man who leads a utilitarian life. Accessur combat matches His personality without frills and frills.

Likewise, just like the way he lives his life, the seller does not fight with style or grace. His method comes from his years of experience in the field and time as a military police officer, during which he often investigated and pursued very dangerous criminals. Reacher also served during the war in Iraq, where he once killed three men who abused young children and shot the attackers when they came in the neighborhoods to seek to kill him. Reacher has no moral scruples to kill another human being, but as it remains by a strict moral code to kill only irremediable villains, It never weighs on his conscience. The only thoughts and experimental moral anxiety concern his friends, loved ones and his people close to him. Reachder never hesitates while he is fighting. There is never a wasted motion. Every movement he makes has a goal, and tThe hat shows in the character’s combat sequences.

“Recurring” sometimes looks like a slasher killer

There are some exceptions to Merchant Typical combat scenes that have an anchored style without frills. In these other episodes, Reacher resembles a slasher-killer of a horror film, but he returns this archetype of character because he always targets the bad guys or the “evil”. The combat scene at the Hubble house in episode 7, “Redo said nothing,” illustrates this when Revaller combat the killing team that left a trace of victims through Margrave. The way the merchant tracks down and sneaks into his opponents almost looks like Jason Voorhees Friday 13 or Michael Myers of Halloween. These are the scenes where the fan appears almost inhumanly terrifying, but they demonstrate a fun inversion of the Slasher-Killer trope. They Present the fan as a type of just boogeyman that targets criminalsAnd he is there to distribute them from violent justice.

“ Reachor combat scenes improve each season

Merchant Fascinating combat scenes seem to improve and more unique every season. There are not two action scenes in the show, and they always provide unique variations. This is demonstrated in the third season, on the basis of the book Persuade. In the final of season 3, “unfinished business”, Reacher fights Paul Van Hoven (Olivier Richters), the right man and the muscle of the main villain, Xavier Quinn (Tee brian). Finally, Réchadeur is forced to fight an even larger opponent. Again, the prolonged combat sequence with Paulie reflects the anchored vision of the program on action, as The seller must surpass a stronger opponent.

On the way Director illustrates his combat scenes, we can’t wait to see what is in reserve for the character of season 4. The season is currently in production and is based on Gone tomorrowThe thirteenth book in the Child Series of books. However, Ritchson will first resume his role as a reachade in the next spin-off, Neagleywhich should be presented on Prime Video later this year.

Director

Release date

February 3, 2022

Network

Video premium

Showrunner

Nick Santora

Directors

Omar Madha, Carol Banker, Julian Holmes, Lin Oeding, MJ Bassett, Norberto Barba, Stephen Surjik, Thomas Vincent

Writers

Cait Duffy