The best star trek film has an unconventional prerequisite that fans of the series will love

The common consensus among trekks is that the film by Nicholas Meyer in 1982 “Star Trek II: The Wrath of Khan” is the best of “Star Trek” films to date. The point can be debated, of course, but “The Wrath of Khan” is quite unassailable. He has a solid script and explores the themes of Admiral Kirk (William Shatner) who must finally count with his ordinary open imprudence. He rounds up the average age, his eyes made him fail and several shadows have replenished from his past.

Terribly, Kirk finds himself in the Khan’s reticle (Ricardo Montalbán), a character he had previously met in the 1967 “Star Trek” episode. Devastating wars that ravaged the earth in the 21st century.

Kirk put Kibosh on the plans of Khan (Natch) and, rather than imprisoning him, offered him a unique sociological challenge. Could Khan and a framework of super-school colleagues really build a masterpiece company, with time and complete non-interference? Kirk then falls from Khan and some of his super -soldiers on a green and Édenic planet – Ceti Alpha V – and flies away. “The Wrath of Khan” resumes decades later after a natural cataclysm reduced Khan’s world in an uninhabitable desert. He is rightly upset that Kirk has never checked her, and he is now looking to take revenge.

Khan’s background frame on 21st century land was explored in non -canonical extensive media like novels and video games, but a recent addition to the “Star Trek” media has now provided more hikes. The brand new audio drama “Star Trek: Khan” is a series of nine episodes that will follow Khan since the moment he was deposited on Ceti Alpha V when he was discovered in “The Wrath of Khan”.

“Star Trek: Khan” is available wherever you find its favorite podcasts. The fully produced audio drama has been written by the long -standing novelists of “Star Trek” Kristen Beyer and David Mack, ensuring that “Khan” will be ambitious and will engage in the way in which the novels linked “Star Trek” are generally. It was produced by Fred Greenhalgh. Meanwhile, Naveen Andrews plays Khan, making him the first adult actor in the Indian heritage to play the Indian character. Elsewhere, Wrenn Schmidt embodies Marla Mcgivers, a Starfleet officer who became a lover of Khan in the “Space Seed” episode and was initially played by Madlyn Rhue.

“Star Trek: Khan” will cover the missing 20 years of the adventures of Khan on Ceti Alpha V and the slow dissolution of the planet. The story will be told in flashbacks of the USS Excelsior bridge. As Trekkies could inform you, the Excelsior was the spacecraft that Hikaru Sulu (George Takei) became the captain of “Star Trek VI: the unknown country” thanks to an episode of “Star Trek: travel”, we also know that the Tuvok Vulcan (Tim Russ) was used for Excember. Naturally, Takei and Russ take up their roles for audio drama, with Olli Haaskivi, Maury Sterling, Mercy Malick, Zuri Washington and Sonya Cassidy also completing the cast. Andrews, in particular, is a good cast for Khan, and / film has already noted that the actor should also play Khan live.

In “The Wrath of Khan”, Khan gives a brief discourse on how his planet was devastated by a solar push that changed the Biome de Ceti Alpha V into a dying desert. He and his super-soldier framework were forced to move to his former crushed ship and stay there for years, remaining on Lord-Skows-Wows. “Star Trek: Khan”, however, will cover the most intriguing part of this story: what Khan and his frame made to Ceti Alpha V before the Cataclysm. Indeed, what was the so-called Masterpiece Society of Khan like? Was it about to succeed? I would be impatient to know.

The “Star Trek” franchise saw the release of several audio dramas as “Star Trek: Khan” in the past. From 1975, Peter Pan Records gathered a new casting of actors to read audio “Star Trek” stories only for its vinyl release. In the end, 23 vinyl albums of this type were published from 1975 to 1979, sometimes republishing previous stories which were reassigned to be twinned with others. These discs are difficult to find now and remain one of the most obscure media of “Star Trek”.

Over the years, there have been reading records that accompanied the adaptations of children of “Star Trek” feature films. These are not quite the same as audio dramas, of course, because they only put the dialogue of the films, which is then interspersed with narration.

In the 1990s, when the popularity of the “Star Trek” franchise was at a notable high, Simon & Schuster also published several interesting audio projects. For example, the actors Leonard Nimoy and John de Lancie gathered on a scene to have a debate of character as Spock and Q, respectively. The shows were simply called “Spock vs. Q” and “Spock vs. Q: the sequel”. We could also remember that George Takei played Captain Sulu in an original audio stories trio entitled “Transformations”, “Cacophony” and “Enth”. In 2022, an audio drama in its own right entitled “No Man’s Land” was also published. Written by Kirsten Beyer and Mike Johnson, he followed the characters seven of the nine (Jeri Ryan) and Raffi (Michelle Hurd) after the events of the first season of “Star Trek: Picard”. At that time, the two had a full -fledged romance that ended badly (something that was referenced in the second season of “Picard”).

“Star Trek: Khan” is the last of a small but vital part of the “Star Trek” property. It’s really worth listening to.