The 4 matrix films are really damn good, in fact

When it was created in March 1999 to the success of the box office and a sweeping of technical categories with Oscars, The matrix was rightly considered to be something like the Wizard of Oz And Star Wars From his time, everything spent in one. Written and produced by Lana And Lilly Wachowskiand produced by the notorious Joel Silverthe image of science fiction action with Keanu Reeves As a man who discovers, he is trapped in a simulated reality, in the future where artificial intelligence reigns over the last vestiges of humanity. The Wachowskis masterpiece has combined advanced visual effects, definition of the era and change of play with a rather paranoid story that only felt more premonitory over time. It is one of the rarest films which, like the two aforementioned, is often compared, it is Almighty in his ability to fill a spectator with a wonderTo ignite the imagination.

There are three others Matrix The films and their respective reputation are decidedly less dressed in iron. According to whom you ask, these films are somewhere between the misunderstood, unequal but valid or flat. The purpose of the following list is to definitively establish that the whole Matrix The franchise, in fact, works extremely well as a cohesive series, in a coherent and challenge. This list classified does not include anthology derived from length The animatrix,, Although honestly, that’s good too.

4

‘The Matrix Resurrections’ (2021)

A deepestly personal inherited sequence, admirably and aggressively unconventional

Lana Wachowski could easily have reshuffled the first film and collect a pay check here. The filmmaker does no secret that his story ended with RevolutionsAnd Matrix resurrections is something of a failure of chess against Warner Bros., an openly felt dark comedy where Thomas Anderson (Reeves) is trapped in a new matrix as a software designer that has created an emblematic disruptive video game trilogy called, Wait, wait, The matrix. Although it’s worth pointing Yama is my Malaysi II has no fraction of Laurence FishburnePresence or precision, and the overhaul of Morpheus is distracting and unhappy, the main problem here is that the The action is mainly lame and compulsory, Far from the muscular and polished chaos which defined the originals. The absence Bill PopeAge -free cinematography is also a major blow.

The front and the center here is the love story between Neo and Trinity (Carrie-Anne Moss), and this thing works extremely well. The film is rarely personal, strongly brilliant, entertaining and finally worthy of its predecessors – and It is also, just to tell the truth here, a commercial poison. The action and the Wow factor that defined the original trilogy take a back seat to a satire (biting, intelligent) in a trans allegory which is not very subtle but also nee. There is a way of making a film like this where the message goes beyond the story, an approach that some modern time could call “awake” and (while remaining the hell of this conversation here for the pleasure of peace), it is important to note Matrix resurrections Don’t do that. Wachowski simply did what looks like An instinctive and late response to one of the most omnipresent films ever released. It is an unusual film, just as the first was in 1999. It is a good thing that this film exists as is.

3

“The Matrix Revolutions” (2003)

Many fans did not want such a dark hood of trilogy, but it is above all brilliant.

Many in the audience surely wanted Return of the Jedi; Everyone likes a happy ending. Instead, The revolutions of the matrix is a outcome, rather time, with the hero and the heroine that we have become quite attached to the two dying in sacrifice. The imagery of Christ which was once quite discreet reached a fever here. Most major action franchises end in a kind of conquest; THE Matrix The trilogy ends with a truce. The public and the criticisms at the time were disappointed (the film was 33% shocking 33% on rotten tomatoes and brought in about half of half of Recharged“Sport), but with hindsight (and comparing the film to many deeply soulless blockbusters these days), it is easy to kiss the film for its originality and its reluctance to deliver something more pleasant and generic.

There is quite a bit to separate here, from the serious seriousness of the war scenes which borders the tremors in the context of a series so suave and cold (cool), in the distracting absence of Gloria Foster, Unfortunately it was beyond the control of filmmakers (she died). However, it is a vision of filmmakers. There is simply no comparison of injustice The revolutions of the matrix to, let’s say, the complainant, sewn of obtaining without merit Skywalker climbOr really a majority of successful action films for the sole purpose of making money. Each film in the initial Matrix The trilogy is really distinct in the story and the tone, and the production values ​​are mostly timeless throughout – not the least in the third part. The revolutions of the matrix is an inspired suite, with a stone face and admirably solemn who requires a modern reassessment.

2

“The Matrix Reloaded” (2003)

Defective but fascinating follow-up, with all-time settings

Anyone who has experienced this can attest that four -year anticipation The matrix The second part was a hell of something to live, the second only in its volume deafening in advance at The ghost threat Before him. A bit like the Star Wars prequel, The recharged matrix was an amazing success at the box office, beating practically all books of books for a film classified R at the time. And as was the case with The ghost threatCritics and the public were somewhat divided. There was no jar-jar binks to point, and almost no one destroyed the film, but many considered it a disappointment. It is not as good as the first (an unrealistic expectation, The matrix was a miracle of studio cinema), but it is an epic and folding spirit science fiction action film that represents some of the best multiple genres.

It’s not perfect. The robust prolonged fight of act one is a non-beginner without a narrative objective and essential effects that have aged badly. Something like this is a relatively minor reproach in the big scheme of things, however. The second act of The recharged matrix Hover in particular. Our heroes make a strange detour by the French couple excited by the Merovingian (Lambert Wilson) and Persephone (Monica Belucci), then escape via what is, simply, one of the greatest car proceedings in the history of the film. Perhaps even, a slight hot plug here, perhaps-the most spectacular car pursuit of all timeA superb playing piece, all the more remarkable to combine elements of science fiction, fantasy, martial arts and pure automatic muscle. The recharged matrix Does not play safely; He is an unusually skillful and ambitious escape goard. It is one of the most underestimated suites of all blockbuster.

1

“The Matrix” (1999)

It’s as good as movies. Period.

The matrix was unleashed in an era of the media very different, with little construction apart from a visually magnificent and Super bowl place. It was created in March, just over a month before George LucasDestined Star Wars For a new generation, ultimately capturing the imagination of the public and the remodeling of cinema in a way that blockbuster rival simply did not do it. The matrix Open as a German tinted black of expreelism. He reset the science fiction and action bar. He is often turned and punctuated like a western, and he has the precision of a musical. The last 45 minutes are as good as action cinema, evoking Hong Kong cinema of the time, but produced with Deep Studio Pockets. It’s extraordinary, and it is the film that Reeves proven and cemented as a movie star for ages. For about two decades, there has been a long -standing conviction that the inheritance of this image is a bit hampered by lower suites, and this is now the ideal moment to reassess the whole business with new eyes.

It was more than a quarter of a century, so we feel freed from not worrying about presenting ourselves as hyperbolic: The matrix is perfect on the way City lights is perfect. It’s perfect on the way Citizen Kane is perfect. There are many more shots and murder, explosions, fetish leather equipment and fetishly flying ball cartridges in this film than in the classics to which it was compared in this list, but it is a part of what makes it – you know, so fun – a only exciting film to review and Rewatch. What other action film has packed the brain while increasing the pulse like this? It is a rhetorical question, so don’t bother to think about it. Full stop, it is One of the biggest and most important things that happen to films.

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