Brand Ingelsby continued his very successful project Easttown mare with HBO Stain and a unique franchise idea that could move things forward. This latest crime drama from HBO stars Mark Ruffalo and Tom Pelphrey, among other A-list stars like Fabien Frankel, Emilia Jones, Alison Oliver, Martha Plimpton, Jamie McShane, and more. It’s a series full of thrills, but also a surprising amount of heart.
It’s obvious looking at both Stain and that of Ingelsby Easttown mare that this screenwriter has a real talent for writing characters who have experienced deep losses and trauma. From episode to episode, we see their anguish, before the finale finally launches these characters into poetic freedom. It’s really a beautiful story.
The only slight drawback of Stain And Easttown mare is that they are both limited series. Their stories have a complete rise and fall and were created without waiting for sophomore seasons. However, Ingelsby took a unique approach to tackling the big picture. Although the aftereffects may never occur, Stain And Easttown mare are still part of a larger crime thriller franchise.
The Task and Brad Ingelsby’s Easttown Mare take place in the same universe
Although Ingelsby’s two hit crime thrillers are technically two separate series, he revealed that they exist in the same fictional universe. While many hoped this meant we would see Kate Winslet’s mare in Stainthere has been no character crossover yet. However, this type of disconnected, anthology-like franchise angle has several other benefits.
Although Easttown mare And Stain present very different stories, they explore similar themes. Both shows are about loss, forgiveness, family, and the psychology of not only crime, but also law enforcement. Mare’s story kicked things off, exploring the devastating impact of losing a child. StainThe story of took the same idea, but instead explored the experience of losing a spouse and a parent.
Ingelsby’s involvement Stain And Mare of Easttown fictional universe is that we could have another series…or perhaps several, which continue Ingelsby’s intriguing character studies. It would undoubtedly be another crime thriller, but the next installment could introduce new perspectives on the franchise’s powerful themes. This is precisely the shake-up the genre needs.
A Crime Thriller Miniseries Franchise Can Avoid a Common Genre Trap
Crime thriller TV shows will usually have a particular angle and theme that carries over from season to season. Given the genre’s harsher tone, the angle often revolves around the protagonist’s traumatic past. The problem is that once this character is confronted with his “big problem“, the story begins to suffer. However, if it takes too long to resolve this problem, the TV show becomes boring.
Naturally, many series have gotten around this problem. If this particular angle is strong enough, like Tony Soprano’s family dynamic in The Sopranosthen the TV show will have some legs. However, there are more failures than successes in the genre. The Ingelsby franchise is an elegant solution. Each new series has a unique angle, but the theme remains consistent.
Typical anthologies tell a new story with consistent themes from season to season. Ingelsby’s approach begins again with a standalone miniseries.
It would be interesting to see more screenwriters take up Ingelsby’s example Stain And Easttown mare approach to frankness. It’s almost like a film franchise, since the failure of an individual limited series wouldn’t necessarily mean the death of future projects set in that fictional universe. If it worked for Hollywood, it could certainly revolutionize the TV crime thriller genre.
