“ Relationship of minorities ” is the ugliest film by Steven Spielberg, and that is part of what makes it great

ahsan65@gmail.comMay 31, 2025

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“ Relationship of minorities ” is the ugliest film by Steven Spielberg, and that is part of what makes it great

Scanning orchestrations and the movements of the camera of Steven SpielbergThe films are why we associate the most closely his great works with the very concept of “Magic Magic”. But his 2002 dystopian science fiction thriller, Minority reportReturns this concept on his head. Minority report stars Tom Cruise As William Anderton, a detective working in a futuristic prescribed division, where he can receive premonitions transmitted to murder about to be realized and must use his skills to know exactly where they will perform. Anderton is excellent in his work until his name appears as an accused, And he is thrown into a moral dilemma concerning the essence of fate and determinism to try to empty his name.

Being one of the darkest and smallest films of Spielberg, the visual style of Minority report reflect this. It is one of the most distinctive films in Spielberg, with a severe range of lighting and colors choice that really challenge the spectator the first time. To put it frankly, Minority report is a ugly movieBut those of us who love him know that it is in fact one of his greatest assets.

Steven Spielberg wanted the “minority report” to be his ugliest film to date

Image via 20th Century Fox

Spielberg brought together the director of photography Janusz Kamiński for the sixth time Minority report. After Schindler listKamiński has become the guy of Spielberg’s choice, and the two have worked together on each Spielberg film since 1993, so it goes without saying that They have developed an effective shortcut with each other. For Minority reportSpielberg told Kamiński that he wanted it to be “the ugliest and dirtiest film” that he ever made.

Kamiński has increased the task, manufacturing a unique overexposed and washed visual palette which contrasts greatly with the warm style and welcoming the greatest successes of Spielberg. The lighting and shooting of the brand of Kamiński and the shot against windows with pools of light flowing through already give Spielberg more protruding works than its anterior genre images, and with Minority reportThey take this to the extreme. The look was accomplished by over-light almost all scene and putting the film through a chemical process called Bleach Terpassing, which prevents the vibrant colors of the image. This approach leaves Minority report Look at the limit in black and white in certain scenes. The actors seem ghostly and pale, the fluorescent lights are dominating and any color that takes place is shifted in blue. All these are strong choices that perfectly reflect the story, the tone and the mixture of genres that Spielberg wanted to transmit.

The unique mix of black and science fiction of the minority relationship is reflected in the visual style

Minority report is a ugly film insofar as the world he depicts is ugly. The film is as much a black story as it is a science fiction work, and in both cases, it is inspired by the darkest archetypes of each kind. Anderton is a drug addict detective who lost his family, and during the film, he realizes that the work of his life has devoted to locking people for life for crimes they have never committed. The system defects prescribed and the fugitive route on the race reflect A distorted and ugly justice system And a cynical vision of the world, typical of black stories about detectives.

But the film is also hard of science fiction in many ways. From technology behind prescribed in futuristic shopping centers and the consumption of creeping drugs, Minority report illustrated A dark and digitized future which is based on consumption as a distraction of the harsh realities of life; The film corresponds to this tone with its austere approach to lighting and color. Minority report is not comforting to watch because the world of Minority report is anything but comfortable.

When color fulfills the frame in “minority report”, it has a lot of sense

Tom Cruise protects Samantha Morton in the `` minorities '' report from Steven Spielberg — Image via 20th Century Fox

There are only a few instances in Minority report Where the film takes a more traditional color palette. The public obtains a break in the implacable and fluorescent look of the film when Anderton has a dream of the last day that he and his son spent together. The second is at the very end of the film, when the prescribed ended and the precogs live freely in an unhappy place. The colors of these two sequences go through that the world is in a different state—The dystopian qualities of the prescribed program and the difficult living conditions of futuristic society are reflected by the unprecedented and colorless style. When the colors come back, it means that the world is a better place, because the last big memory of Anterton – a day with his son at the pool – is spoiled by the tragedy but remains full of vibrant color. And precogs, finally outside the mental prison they lived for years, see color again in their world.

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The last plan of precogs, colorful and whimsical with the partition of Williams below, sweeps away in the sky. This is one of the only times that the film realizes this classic Spielberg Magic Magic Tour, Car This is the first time that the world of Minority report deserves this reverence. The rest of the film is unforgiving and without compromise in its vision of a dark science fiction reality, but in the end, this feeling of wonder and hope and fear that so many Spielberg films are known for the fold. The ugliness has disappeared.