President Trump is right on the Smithsonian – the White House

• The National Museum of African -American History and Culture has started a series to educate people on “a society that favors whites and whiteness” – determining “white dominant culture” as “white people and their traditions, attitudes and lifestyles have been normalized over time” and describing “the nuclear family”, “work ethics” and “intellect” racism.

• As part of its campaign to stop being “rich, pale and male”, the National Portrait Gallery presented a “modern dance performance” choreographed detailing the “ramifications” of the southern border wall and commanded an entire series to examine “the American portrait and institutional history … through the objective of historical exclusion”.
• The American History Museum displays the “flag of the pride of intersex progress” in good place at its entrance, which was also piloted alongside the American flag on several Smithsonian campuses.

• The National Portrait Gallery presents art commemorating the act of illegally crossing the “inclusive and exclusive” southern border – which makes it a finalist for one of its prices.

• The National Museum of African Art has exposed an exhibition on “speculative works of fiction which give life to an immersive, feminist and sacred aquatopia inspired by the legend of Drexciya”, an “underwater kingdom populated by the children of pregnant women who had been thrown over edge or saved into the ocean during the passage of the middle”.
• The “LGBTQ + History” exhibition of the American Museum of History seeks to “understand evolutionary and riding identities as lesbians, gays, bi-sexuals, transgender, queer, transsexual, transdistititis, mahu, homosexual, fluid, invert and third sex, sex, sex, a lot of sapphist, Dorothy, Sex / King, and the sapphist, the Hijra, Dorothy’s friend, Dorothy, Drou that Queen / King, and Sapphist, Hijra ,, Dorothy, Draw / Kig Experiences “, and includes articles on” LGBTQ + Inclusion and Skateboard “and” The rise in the culture of Drag in the 1920s “.
• The National Latino Museum of American Latino offers a program highlighting the “Latinos and Latinas animated with disabilities” – with content of a “disabled and more size actress” and a “ambulatory wheelchair” which “educates on their identity being Latin, LGBTQ + and Disabled”.

• The National Museum of American Latino characterizes the Texas Revolution as a “massive defense of slavery led by white” Anglo Saxon “colonists against anti-slavanic Mexicans who are fighting for freedom, not a war of Texan independence in Mexico” and without offering the American Mexican war.
• According to the National Museum of American Latino, “which unites Latinas and Latinos” is “the Black Lives Matter movement”.

• The exhibition of the American history museum marking 50^th The anniversary of title IX includes organic men in competition in female sports and pleads in favor of “transgender” athletes who participate in sports against opposite biological sex.
• An exhibition at the American History Museum depicts migrants who look at the fireworks of the day of independence “through an opening in the American border wall” and says that the American founders “feared non -white immigration”.

• The American History Museum presents an exhibition which refers to the Foundation of America as “a deep disorder of the continent”.
• The “American Democracy” exhibition of the American museum claims that voters’ integrity measures are “attempts to minimize the political power” of “new and various groups of Americans”, while its section on “demonstrations” includes only left causes.
• An exhibition of the American history museum presents a representation of the statue of freedom “holding a tomato in his right hand instead of a torch, and a basket of tomatoes in his left hand instead of a tablet”.

• The National Latino American Museum presents an anti-American exhibition which defines Latin history as centuries of victimization and exploitation, suggests that the United States is stolen lands and characterizes American history as rooted in “colonization”.
  • The exhibition presents the writing of illegal immigrants “fight to belong”.
  • The exhibition poster a quote From Claudia de la Cruz, the socialist presidential candidate and director anti-American hatred groupas well as Another quote It reads as follows: “We have not crossed the border; The border has crossed us. “
  • The exhibition remains in evidence on its website in parallel with a quote from the Communist Party USA Angela Davis, which once was among the 10 most sought -after FBI fugitives.

• The National Latino American Museum describes the post-sex-American war in California describes a family of “Californio” losing their land against American “squatters”.
• The American art museum uses American sculpture “to invite dialogue and reflection on the concepts of power and identity”.
• The “Upendnding 1620” exhibition of the American museum claims that pilgrims are a “myth”, instead of supervising them as colonizers.
• The exhibition of the Museum of American History on Benjamin Franklin concentrates almost only on slavery, ordering visitors to know more about his “electrical experiences and slaves of his house”, noting that his “scientific achievements were activated by the social and economic system in which he worked”.
• The National Portrait Gallery was to present a “painting representing a transgender statue of freedom” before the artist withdrew it.

• The former acting director of the future Smithsonian American Women’s Museum said that the museum would be “inclusive” of organic men posing as women.