Paul Thomas Anderson worked on scripts for Napoleon and Killers of the Flower Moon

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Paul Thomas Anderson worked on scripts for Napoleon and Killers of the Flower Moon

Paul Thomas Anderson revealed that he had secretly worked on rewritings for two major film scripts. Known for works like Ghost And Boogie nightsThe latest film by the acclaimed filmmaker, One battle after another, Just hit the rooms. During the press for the film, Anderson has teased that his writing credits are more varied than the public thinks.

As indicated by Slashfilmduring a recent interview with Dizzy,, Anderson revealed that he had worked the script for Ridley Scott Napoleonand Martin Scorsese Flower moon killers. Although his involvement in these scripts has been speculated for a long time, the director finally confirmed it, saying, “I love to contribute in any way possible if someone responds to help.” Read his complete comments below:

I love to contribute in any way possible if someone responds to help. These two things were one thing with Joaquin [Phoenix]One thing with Leo, and obviously with Marty and Ridley. It is always a privilege to say: “Let me tell you my reflections on the script”.

By adding to that, Collider reported that rumors on Anderson’s contribution to the comedy of 2001 Corky Romano have also circulated for years. While this film seems tonedly far from its signature dramas, Saturday Night Live The distribution member Chris Kattan alleys that Anderson contributed to the scenario of the film.

What it means for Paul Thomas Anderson and a battle after the other

Anderson’s revelations show how influential he is outside his own films. While Anderson is famous for projects like There will be blood And Licorice pizza, His work not credited on Napoleon And Flower moon killers Proves that some of the greatest directors of Hollywood appreciate his talent. Even without official credit, these contributions Highlight Anderson as a visionary artist and confidence collaborator.

It is not unusual that his work on other scripts is not credited, as Punch editors generally do not obtain official credit due to WGA rulescontracts and other stipulations behind the scenes.

These revelations also reframe how the public perceives his career at this stage. While One battle after another Mark its latest high-level author project, its behind-the-scenes contributions to other acclaimed projects prove that its creative scope extends far beyond the films bearing its name.

For One battle after another, This context adds another layer of intrigue to the project. As the film has just taken the first in theaters, The public can approach it with more curiosityEager to see if Anderson’s work on other projects with legendary directors informs his own narration.

Our point of view on PTA’s contributions to other films

The open admission of Paul Thomas Anderson on the rewriting of other scripts is a reminder that Hollywood is rarely as simple as the author theory suggests. Even the most acclaimed directors sometimes leave fingerprints on films far from their signature workWhich makes their career all the more fascinating.

In the end, the revelation solidifies Anderson’s reputation as one of the most adaptive and impactful figures in modern cinema. If the audience looks One battle after another Or a completely independent film, there is a chance that Anderson and others of their favorite directors could have contributed to the final project.