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Patricia Arquette explains the quirks of Harmony Cobel (and Mrs. Selvig)

Patricia Arquette is really, Really in the world of Breakup. What she really is, really not Discuss the theories of fans. Not because she does not care, rather because she really cares to risk spoiling anything.

In another world, Arquette could accumulate karma at the bottom of your Reddit rabbit burrow. But in this world, Lumon (and Apple TV +) listens.

Here is the thing, however: with all the respect due to other formidable (and eligible) dramas like The white lotus And The diplomat,, Breakup deserves all Emmys. But first, he needs votes. Part of this process includes highlighting talents in the press. Don’t be afraid, the other spells, we have you.

Season one or season two more and more challenges for you as an actor?

I don’t even know how to really realize the first season of the reality of the world of the first season. We turned during COVID. I was traced in contact, I don’t know, six or seven times or something like that. So I ended up – I continued to put myself alone in a room for 10 days at a time, and I started losing my composure.

We didn’t have [vaccines] Again. We wore all these plastic masks. No one could see you smile. It was a very dystopian experience on the set.

Should viewers be rooted for Cobel at this stage? Do you want fans of the show to love it?

I really don’t care if they love you or not like you. I mean, people go through life by making “The Bad Guy”, making “The Good Guy”, then the villain is the right guy and the good guy is the villain. She must just have her point of view on the reason she does what she does. We go through life by looking at people in a certain way that we supervise them, then they say or do something, and we recommend them. And so I think we are going to do the same with Cobel.

Cobel is at a very bizarre precipice at this time when it is like that could really go in both directions. She could go and support Mark and all these guys, sticking one to Lumon, or she could consolidate her power to Lumon, get more respect and be in a more powerful position, as she had been at some point.

Does Ms. Selvig legitimately take care of Mark Scout?

Yeah. I mean, I approached Ms. Selvig in many ways. Yes, I think that both sides of his care as Mark and are interested in what he does, both personally but also academic. What was surprised with Mrs. Selvig was – she was able to hand over Lumon’s laws. So it’s like: “Oh, we are a little chummy. Is it what it is to be not endoctrine to this? Is that how people make friends? We are real friends and we go somewhere together and it is not a day of souvenir of Kier. “”

So, yes, I think there is a part of her that is really fascinated and comes to life, but it is embarrassing and uncomfortable because he does not really know what he does. It is also this strange mixture of harassers and friends … There is a strange energy to that.

Why is it so bad in recycling?

We have definitely talked about making it grope, clumsy. To insinuate you in someone’s life, the greatest manipulators act as the most innocent victims. The most dangerous manipulators act as if they were just this sweet, innocent person, could not scream a flight. It can really be very scary.

She has an element of that, as, I must disarm it by being the aunt trkewer and clumsy of Next Door. And, “Oh, I need your help” and “I am an older woman than you” and “Oh, you don’t have to worry about me.” So there is a young lady in the distress system.

Patricia Arquette in dismissal

Apple TV +

Has Cobel do a better job than Milchick?

Oh yes, go now! What kind of question is it?

Yeah, I mean, I think that like a betrayal so horrible for her. Because she felt like she was under her tutelage. And even if she was a kind of difficult and nasty boss, she sometimes did it for her own good. And she was also bizarre in this way, in the same way, almost like a drilling sergeant. They are supposed to be a little mean. This is a bit part of the protocol within Lumon – of the old school, especially in which she came – there is a certain way of treating the people you form. But it is quite sad that Milchick stabbed her in the back. That he used it.

Why is the MDR team allowed to browse Lumon’s corridors so freely?

I had this conversation too, a concern in a strange way, where the spectator would be like: “Wait a minute, would not be [Cobel] Have we seen that? Can they do that – can’t he see that? There is something about – I don’t know, I don’t want to give things.

Also, here is the thing. I do not think that Lumon was so aware of what Cobel did and experienced. They have a very beautiful and limited vision of what they thought was going on in this experience, which is not the same idea of ​​the experience of what Cobel does.

How did you find Cobel’s unique assignment?

I was like looking at Mud And all these strange shows. It was a bit of a hint of hat to Bea Arthur. And this idea, like, this world where the senior management sounded in a certain way. This power sounded in a certain way. And perhaps it would not be quite well – it does not seem exactly authentic if he came from a poor child who looked at this rich family, imagining what they looked like, imagining what they were talking about, imagining what this thing was. So, yes, it’s not completely authentic. But she also grew up in this school in a strange way, as with nuns, or with, you know, be indoctrinated by these kinds of people who were fanatic. They therefore looked most to that. This is his interpretation of the child of that.

Are you really in this world huh?

I’m really there. But I must say that Cobel is – it goes by itself. He is not someone who feels comfortable telling people, letting people enter or all of this. And yet, she also has incredible pride and is motivated and convinced that she is right. It’s like, in a strange way, it is very lonely, because it has all its own program, and it does not share it with anyone.

This could be a stupid question, but have you written a Cobel laptop?

I love this question, in fact.

Oh, thank you.

This is part of what I love to be in the cinema trade so much and all the different departments. Our accessories department is accomplished with crazy. Cat (PMG Property Master Catherine Miller) is incredible. So no. They actually hire people to write things. Like: “I need 10 pages written on bla, bla, bla.” I saw it throughout my career in different sets. On some, they actually stick to the agenda of what the scene is. And some, they only write shit so that you make rifles and they say to themselves: “It is 4 am, I am so sick of this work. How many more pages do I have to write?” They are quite hilarious.

But This– All on [Severance] is really pierced to the right. You can actually focus on each page. You can print a book. What they offer and write is really good.

This interview was slightly modified and condensed for more clarity.

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