Only Margaret Qualley could have walked on the red cane carpet in these ballets

Margaret Qualley is always a sensation with her look, and his appearance at the 78th Cannes Festival to present her next film was no exception. While just a few days ago, his mother, Andie MacDowell, dominated the cross barely makeup a tuxedo, it was now the quality tour to impress, wearing a very special personalized chanel dress and ballets on the red carpet (yes, that’s right).

The substance The star shone in a fluid baby pink dress with a subtle train (in accordance with the newly inaugurated strict dress code of the film festival), a thigh slit and a shawl neckline that left his shoulders. But it was the detail of the bust that shouted Chanel of the real signature: a camellia, the favorite flower of the founder, put a black arc, a real signature of the brand.

And it seems that Claudia Schiffer is the inspiration of Cannes this year, since Elsa Hosk (with her Thierry Mugler looks at the first of The history of sound) and Qualley have chosen to imitate some of its most memorable looks on the podium. More specifically, the actress wore a design inspired by the appearance of the 1990 Spring-Summer model Chanel Haute Couture Show, which, by the way, marked the beginnings of Schiffer as a Karl Lagerfeld muse.

Chanel Haute Couture Spring-Summer 1990.

Victor Virgile / Getty Images

Margaret Qualley at the 2025 Cannes Film Festival.

Pascal Le Segretain / Getty Images

Now there is nothing more chic than improving this type of outfit with a flat shoe. Qualley has chosen the brand’s two classic two -tone ballets (with a black toe cap) to break with the usual choice of heeled sandals. She also wore hanging earrings with a small flower on her ear lobe and a thick ring on a finger, the very close to the French house par excellence.

Daniele Venturelli

This is not the first time that Margaret Qualley has taken risks and has won in Cannes, and in fact, she is also one of the most anticipated guests. This time she presented Darling is not!, The second part of a queer women’s trilogy led by Ethan Coen, and in the first episode in which she also participated. With all this, she returned to the festival with her usual naturalness and elegance, bearing the Chanel flag again.

This article was initially published by Vogue Spain.