“ No one wants that ”, “Monsters” and “Forever” Teams on the display of the television

Los Angeles had a few difficult months. Devastating forest fires of large expanses of the city at the beginning of the year until current disorders in downtown Los Angeles, the city faced its challenges.

Netflix, however, wanted to show Los Angeles on the screen in three of his last successes – No one wants that, Monsters: the story of Lyle and Erik Menendez And Forever.

Nobody wants that is a Romcom, largely located on the east side of La, with Kristen Bell and Adam Brody; MonstersThe story produced by Ryan Murphy of the murders of José and Kitty Menendez, takes place in Beverly Hills and Forever The adaptation by Mara Brock Akil of the novel by Judy Blume takes place in Baldwin Hills and Beverly Hills.

The three shows were conceived as a “love letter” to the, according to those who are behind them.

During a Netflix Fysee – Crafting event: The City you like on screen, Claire Bennett, production designer Nobody wants that and editor Maura Corey, Monsters Production designer Matthew Flood Fergusson and Suzuki Ingerslev, production designer for Forever And the music supervisor Kier Lehman spoke of bringing to life on the screen in various districts of the city and eras.

Corey said Nobody wants that “Continue to make the one character”. The show takes place through Hollywood, Los Feliz, Silverlake and Eagle Rock with locations such as Miate and Buena Planta.

“The on-site shooting really helped to shape the performances. The actors had a more intimate connection because they were not on a sound scene, they were in a house or a restaurant,” she added. “We also went out also to shoot B-Roll which was Pops of the that you do not see normally. These are not Hollywood sign branches. It was not the Capitol [Records] building. We made sure to give the impression that you are walking in the streets of Los Angeles. You see a bus. We have buses here.

She added that the team had pulled a little speed to some of the interstitials to give it a dream quality and jumped cuts to give the impression that we were walking in the street, seeing the ground.

Foreverwhich takes place in 2018, lent on the musical aspect, using the music of local artists such as Tyler, the creator, Sza, Nipsey Hussle and Victoria Monet. Daniel Caesar’s blessed was used at a meeting between the two tracks, while Frank Ocean’s Moon river was played at the end when they broke.

Lehman said it was important to use music that these characters would have listened to at the time. “What were the things they would have heard, in the world, in the city, perhaps things that would be on the radio, or things that were in the community and the things they shared with friends,” he said.

“The outgoing music of Los Angeles at the time … It was a truly rich environment with many truly incredible artists who have become huge household names,” he added.

In MonstersErik Menendez was a tennis prodigy and Matthew Flood Fergusson revealed that it posed challenges.

In 2004, the National Tennis Association changed the color of all Tennis courts from green to blue, but since the show took place in the late 1980s, the courts they used were to be green.

“I would run in a location, very excited and I would be immediately disappointed [the court was] blue. We examined the cost of resurfacing a tennis court, and it turned out to be prohibitive, so we found a house, a sweet man owned this house to Sherman Oaks, who then [became] Their tennis court, ”he added.

Look at the conversation below.