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Netflix tells the story of handicapped gamer

In the corners of the Internet, where reality can feel more and more blurred, a young Norwegian man devoid of offline mobility has built his own world. Mats Steen, the subject of the poignant documentary Netflix Ibelin’s remarkable lifetrained a digital community which transcended the severe muscular dystrophy which it had developed as a child. While his parents worked for many obsessive hours that he spent playing World of WarcraftSteen used role -playing game to develop deep friendships and find a voice he could not always access the literal sense.

Last year, Ibelin’s remarkable life won a Peabody prize and has become what director Benjamin Ree calls a “national treasure” in Norway. Now it’s against I am: Céline Dion And Patrice: the film For the exceptional merit of EMMYS in the Prix du Cinéma Documentaire, a category appointed by a special jury.

But for REE, the biggest awards are the answers he has received from people around the world who see themselves in Steen’s experience. An American spectator discussing the opportunity to obtain the tracheotomy necessary to prolong his life Ibelin I showed him the joy available through the game.

Ree, a former Reuters journalist who also produced the acclaimed 2020 documentary The painter and the thiefcame to Ibelin with personal connection. His parents were friends with people from Steen when the boys were young, and Steen’s uncle was one of Ree’s year school teachers. “For me, it was a little Norwegian story,” he says The Hollywood Reporter.

Steen World of Warcraft Ibelin character

With the kind authorization of Netflix

After Steen’s death in 2014 at the age of 25, Ree spent four years with the Steen family to tell his dynamic life. Steen had left the password of a blog he had kept, and from there, his parents discovered the friends they did not know that he had, some of whom revealed that the generous spirit of Steen had saved their lives. Their son, learned the Steens, experienced several of the same things as his ambulatory peers could have. Like Ibelin, his buff World of Warcraft Avatar named after the character of Orlando Bloom in the epic Ridley Scott KingdomSteen had novels and regularly distributed advice to his friends.

While Ree attached multiple perspectives on Steen’s experiences, he turned to several works of art highbrow with the povs that overlap as reference points – the chief among them Orson Welles’ Citizen Kane and William Faulkner Absalom, Absalom! Using a transcription of 42,000 pages of Steen and the interactions generated by computer of his clique, Ree hired animators and youtubers to recreate scenarios of the game that would widen Steen’s blog and his parents’ reflections. Their only employment qualification: 20,000 hours timed playing Wow.

Rees has restructured the film several times on the basis of tests for testing tests, determined to make it engaged to non-cheers like him. He compares the results to a “symphony” returning to the same melodies in different ways during a room.

“If you look to the future, more and more people will use virtual worlds to communicate,” says Ree. “We have to tell these stories and make these stories accessible to everyone. This is what we tried to do here, so even my grandmother would feel included. ”

This story appeared for the first time in an autonomous issue of August from the Hollywood Reporter Magazine. To receive the magazine, click here to subscribe.

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