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Daniel Day-Lewis is finally back, and he is the director with whom he should team up to make the history of the Oscars

Daniel Day-LewisOne of the greatest and most famous actors of all time, announced that it was moving away from Hollywood in 2017 after playing in Paul Thomas Anderson‘s Ghost (for which he obtained his sixth appointment to the best actor of the Oscars). However, the opportunity to play AnemoneThe first film directed by his son, Ronan Day-LewisConvinced him to return to the game, and now the valves are, hopefully, open for a new era of actor’s performance by Daniel Day-Lewis-giving him a chance to become the most famous male actor in the history of the Oscars.

Daniel Day-Lewis has three best actor victories of his six nominations, more than anyone, but he is equal with Jack Nicholson (which has two best players and a best support actor) and Walter Brennan (which has three best support players) in terms of total statues. Another victory would make him the most decorated male actor in the history of the Oscars, which seems to be a particularly feasible goal since Brennan died and that Nicholson has not been in a film for 15 years – although it does not give him a tie with Katharine HepburnWho has four best victories of the actress and is therefore the most famous interpreter of any gender identity in the history of the Academy. If Day-Lewis wants to opt for this crown, there is an emblematic filmmaker with which he should (finally) get on board: Quentin Tarantino.

Why should Daniel Day-Lewis finally work with Quentin Tarantino?

Daniel Day-Lewis looking at night with Sean Bean in the background in anemone.
Image via focus features

Day-Lewis has already worked with some of the greatest name directors, such as Michael Mann,, Martin Scorsesethe aforementioned Paul Thomas AndersonAnd Steven SpielbergBut the list of famous directors he doesn’t Worked with is also long. David Fincher At a ton of projects he considered at some point but has never realized, some of which could be perfect for a hypothetical collaboration in Day-Lewis, but the two guys are very demanding and may not be suitable (and the Academy never gives to finish the credit it deserves, therefore Day-Lewis would not be a lock for its fourth victory). And Christopher Nolan? He has a working story with method actors like Day-Lewis, including In the pacino In Insomnia and both Christian And Big book In The black knight. He is also a filmmaker who worthy of the newly struck Oscars, and assuming Odyssey Train, so he could probably build an epic super slick saga somehow around Day-Lewis.

But even it does not seem to be as sure as the day of Day-Lewis with Tarantino, at least in terms of glory to the Oscars, in part because it would be a very good story so that the Academy clings. Day-Lewis would have liked to play Vincent Vega pulp Fiction After reading the script decades ago, but Tarantino never wanted John Travolta to the role, and the two ultimately never ended up working together. Now, however, with Tarantino setting a limit of 10 films on himself and approaching the self-imposed end of his career, it would be the ideal time to finally happen.

Imagine it: Quentin Tarantino’s 10th and last cinema features Daniel Day-Lewis, perhaps the biggest actor of all time, who came out of retirement to make a film with his son and who finally works with one of the most famous filmmakers of all time. The Cinematic Academy would get its votes before you even know what the film would speak. Or, given the precious Tarantino about his final film (which, once again, is based on a decision he has taken for himself and could come back at any time), it could take some time for him to engage in something he is really satisfied with. In this case, he should simply announce that he will do it with Daniel Day-Lewis and stop there, allowing us everyone to bask in the potential of a film that could never be done. Day-Lewis would never get the last Oscar or two he needs, but it is prudent to assume that he cares less than us.


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Anemone


Release date

October 3, 2025

Execution time

97 minutes

Director

Ronan Day-Lewis

Writers

Daniel Day-Lewis, Ronan Day-Lewis




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