The first social media reactions to The Fantastic Four: First steps Elected, although we knew better than putting too much stock in them. After all, he almost became a cliché for complete criticism of not corresponding to what is initially said on X, but is this the case of the last film by Marvel Studios?
The start of the buzz surrounding Matt Shakman’s restart was extremely positive, not different from Superman Earlier this month.
Now that the embargo of the review has risen fully, we see that these social messages were again largely precise, with the restart of the filmmaker with the critics, Matt Shakman, like a breath of fresh air for the MCU and a victory for his first family.
There are complaints, although most seem to be the typical groans and groans that we see whenever a new superhero film will be released.
As always, we will start with the professions. Deadline’s review is positive, arguing that, “First Steps is admirably bright on the gravity of superheroes po-face and rich in satisfactory action film shows, especially when Galactus appears in New York.” Variety believes Marvel Studios “Finally, the popular quartet, reducing the overcrowded sensation of recent offers, while pronouncing its most gargish threat to date in the mean devouring Galactus.”
The Hollywood Reporter, on the other hand, explains that the “Pleating back to-basics feels in The Fantastic Four: First Steps suggests that Marvel has learned precious lessons from his recent box office sub-performants.” The packaging was also full of praise, revealing, “By capturing the atmosphere of the age of money – if not his real spirit – Matt Shakman did something that Marvel Studios is not doing very well. He made a superhero film that embraces the” Super “part. And the” hero “part. And the” film “part.”
To the empire, and that is said, “With an exemplary distribution and a new brilliant Alt universe to appreciate, it’s the best Fantastic Four to date. And if this bar is too low for you, then it’s also the best Marvel film for years.” The total film was a little more reserved. “The Fantastic Four: First Steps begins as an exciting adventure moored by Reed Richards by Pedro Pascal and the formidable Sue Storm by Vanessa Kirby, but soon stumbles in the film of familiar comics” The shared site.
Entertainment Weekly makes an appropriate comparison with Superman By writing, “Like the other biggest summer superhero film, Superman, The Fantastic Four: First Steps is not interested in apologizing or trying to hide his source equipment. Instead, he throws the public in his world of pop candy, exploding in color, wacky opponents and return costumes.”
Speaking of the steel man, a bar film film left with a feeling of similar satisfaction, greeting this restart as taking place in the world “”We are already better, ” addition, “And I like it.”
Awards Buzz calls the world of The Fantastic Four: First steps “Extremely inviting” emphasize “That they will come back to find out more is only a wonderful bonus – this film is a success in itself.” As for IGN, the site examination ends with, “The Fantastic Four: First Steps is a family drama that continues to work until it tries to be too much a superhero film.”
In our examination, we have concluded, “The Fantastic Four is an exceptional introduction to the first MCU family, and thanks to an infused feeling to Jack Kirby that is unlike everything we have seen before, it turns out to be a superhero film par excellence with Marvel Studios to its best.”
2025 took a disappointing start for Marvel Studios when Captain America: Brave New World Open to mixed, if not negative criticisms. Daredevil: born again And Thunderbolts * have been rented by criticism, and we can now be said to The Fantastic Four: First steps.
With a little luck, he will manage better at the box office than the latter, although he certainly seems to be more interest in this team than the new Avengers.
With Pedro Pascal, Vanessa Kirby, Joseph Quinn, Ebon Moss-Bachrach, Ralph Ineson and Julia Garner, The Fantastic Four: First steps is directed by Matt Shakman from a scenario of Josh Friedman and Eric Pearson and Jeff Kaplan & Ian Springer.
The film should be released in theaters on July 25, 2025.
