A battle after another should win one of its less famous actors an native to the Oscars

Warning: this article contains major spoilers For “one battle after another”.

Do not call it a return yet, but we can safely release on a member and suggest that the delighted praise has relied on “One Battle After Others” by Paul Thomas Anderson (including by / The own film by Chris Evangelista in his review here) is an appropriate button for a year of uncertainty for Warner Bros. For the most part, but the creation of resources), but the creation of resources). There is a feeling of poetic justice that it could all potentially Reach his crescendo with a real darling of prices by one of our greatest living filmmakers.

In a cast composed of some of the most important and most recognizable names – from Leonardo DiCaprio to Sean Penn to Regina Hall in Benicio Del Toro in Teyana Taylor – an emerging talent manages to stand above the rest. Despite a limited work, a relative shortage of real screen time and the additional challenge of almost exclusively sharing the screen with DiCaprio or Penn, it is an infiniti hunting credit that it steals each of its scenes that Willa Ferguson. His lively, maniac and brute performance will undoubtedly launch his career to great peaks. But we are here to say that it deserves good recognition of the industry for its stars turn.

No, Oscar appointments and even the praise of record criticism are hardly the final standards, according to which we must hold actors or films – but they matterespecially for one like “one battle after another”. Although it may be unlikely that so expensive proposal to break (and even less to make a profit) during its theatrical race, other ways exist to convince the studios that these are films that are really worth making.

Leave the campaign for the appointment to the Infiniti Chase Oscars officially starts here and now people.

Enter Chase Infiniti as Willa Ferguson, the (alleged) daughter of the former revolutionary who now bears the name of Bob Ferguson. After almost the whole hour of opening of the film focuses on its exploits and lovers of the love for Perfidia Beverly Hills as members of the 75 Freedom Fighters French, the story finally jumps over a decade and a half. The perfidia disappeared after being captured and became rat by the formidable colonel Steven J. Lockjaw. Bob did his best to raise Willa by himself and in the security of anonymity, far from the influence based on the revenge of Lockjaw and the United States government. But the raging shell of a man cannot even convince his obstinate and voluntary daughter to call her “dad”, not to mention the wishes of his paranoid father and to remain the only teenager in the country who does not have a mobile phone.

From the moment Willa arrives for the first time in this dojo at these last blistering moments of the highway, Infiniti carries the story on his shoulders while undoubtedly removing the most difficult balancing act of anyone in the casting. In other words, it is precisely The kind of performance that the Oscars were committed to honor in the first place. As a possible launch ramp for our next star in the manufacture (as anyone watched her go aside with Jake Gyllenhaal in the Apple TV + series “alleged innocent” already knows it), Infiniti almost justifies each penny spent for “a battle after the others”.

Most of the film’s narrative focuses on the bad lockjaw and its campaign to track Bob Ferguson at all costs – not only to eradicate its revolutionary roots and the ideals which it once represented, but above all to strike its ticket for the Ku Klux Klan Modern (absurd by the name of Willa, the name of the biracial.

In any other film, it would have pigeled Infiniti in the role of the young lady in distress. Instead, we have a headquarters at the forefront of one of the most impressive beginnings on the big screen of any actor of his generation. Although he appeared later in history than anyone (almost in the middle of the hour after action) and despite a constant assignment against the stars of heavy Leonardo DiCaprio and Sean Penn (and briefly Benicio Del Toro), Infiniti holds up and then. His ability to do practically DiCaprio shrinks in the corner of a room during a father / daughter shouting at their home at first is just a taste of things to come. When Willa is captured by Lockjaw, what follows is a series of sequences extended and unbearably tense where the young actor puts the fear of the cinema gods in the nasty repugnant of Penn. Long before Willa finally found his agency, there is never a single doubt that Infiniti has fully controlled his.

Is it enough to attract the attention of the academy and reward an increasing talent that quickly builds the curriculum vitae? In an ideal world, this would be the case. Anyway, voters have a perfect opportunity in front of them to give this saga the happiest end.