Impossible 8 scene owes so much films 100 years ago

Forget about modern action cinema, this scene of genius of Mission: Impossible – The final calculation Owes so much to the films of 100 years ago. Over the past 30 years, Tom Cruise has carried out more and more daring cascades with each Mission: Impossible movie. From the scaling of the largest building in the world, Burj Khalifa, to the suspension on the side of an Airbus A400m during its takeoff, Cruise continuously pushed the limits of the cinematographic show. The last example comes The final calculationwhich has yet another high -risk room.

In The final calculationCruise sets up again with a breathtaking action scene in which Ethan Hunt Combat Gabriel Midhail on a flying biplane. It is undoubtedly the most breathtaking and the most dangerous cascade cruise played Mission: Impossible. True to the shape, the sequence was practically filmed, without green screens or double cascade. Cruise clung to the wing of a vintage plane, making complex maneuvers such as climbing the fuselage on the wings, while hovering in the sky at 140 miles per hour and 8,000 feet in the air.

The final aircraft of the final calculation is a tribute to the silent cinema

He owes so much to Buster Keaton & Ormer Locklear

The incredible exploits of Cruise, in particular The final calculationThe plane blow owes a massive debt to the era of the silent film, in particular the work of Buster Keaton, one of Cruise’s cinematographic heroes. Keaton was a legendary silent film star Known for having done breathtaking stunts with an impassive comic timing. His most famous exploits include standing motionless like a house facade falls around him Bill of steam boat, Jr. (1928) and roll at the top of a moving train The general (1926). Cruise openly cited Keaton as a major influence on his own waterfall philosophy.

But the connection of the airplane stuntman with silent cinema does not stop with Keaton. The Cruise wings promenade strongly draws from the heritage of Ormer LocklearOne of the original tapes of the first aviation cinema. Locklear, a real pilot and a Barnstormer, is widely recognized for having carried out the first step of the wing to make a repair half-vol. Locklear played in The big air flight (1919), and during the production of his second film, SkywaymanLocklear was killed in a plane crash, and this sequence was even used in the final cup.

The aerial fight between Ethan Hunt and Gabriel plays like a love letter in silent cinema. Because none of the two characters can speak of the roar of the wind and the engine, the fight is entirely based on their physical movement and their facial expressions to tell the story. The scene plays as something from a lost film by Buster Keaton, missing only interns to finish the homage.

Buster Keaton, not Tom Cruise, can still have the biggest film stunts

Keaton combined dangerous exploits with physical comedy

What makes Buster Keaton’s waterfalls, so lasting is not only their danger, but the creativity and timing involved. One of his most famous cascades – standing perfectly motionless while a two -ton house facade crashes around him – remains One of the wildest practical waterfalls ever filmed. The margin of error was only thumbs. Likewise, in The generalKeaton played on moving trains, jumping between cars and dodging obstacles. These waterfalls involved an elaborate and dangerous choreography with real personal risk in each framework.

It is almost surreal to compare Keaton to someone like Tom Cruise, but the connection is real. The two are obsessed with it for real, even risking their own security for cinematographic authenticity. The cruise can be the largest modern hidden in HollywoodBut Keaton invents the cinematographic language of the waterfalls 100 years ago.

While Cruise excels in the creation of shows, Keaton combined cascades defying death with a perfectly timed comedy. It is something that Cruise could do to explore, given his own big comic timing, as we see in Tonnerre Tropic and other roles. If The final calculation It’s really the last Mission: Impossible Film, maybe the next chapter of Cruise’s career should channel Keaton’s talent to combine inventive waterfalls with physical comedy.