“It’s a work of love for me,” explains Lauren Christy. The successful songwriter, whose credits include “Completed” of April Lavigne, “Me, myself” by Bebe Rexha and Enrique Iglesias “” Tonight (i’m lovin ‘you) “, talks about the collection that has just been published Their successes, on my way Presenting her own interpretations of her greatest successes, but she could just as easily refer the profession of writing songs herself.
When Christy arrived, first as an artist and later as part of the production trio The Matrix, the economy of the machine was very different from that of today. In the 90s and in the early 2000s, you could earn a comfortable life by writing songs on a commercial outing. Even if the said song was not one, the proportional remuneration of an album cup – with LP or CDs costing more than $ 10 each – was not insignificant. “You could literally buy a house,” says Christy.
Today? It is a completely different story.
“It is very, very difficult to be simply a songwriter today,” explains Christy, who teaches a master class on writing songs and offers advice to aspirant writers on Tiktok. “With streaming, the formula has been overturned and the singer-songwriter is the least important person. You have been excluded from the pie. And it’s so sad because, consider: you don’t need a recording studio; you don’t need recording engineers; you don’t need engineers; or a disc label or something if you don’t change.”
For his part, Christy adapted to an evolving company by learning musical production. Unlike writers, producers’ fees and fees were agreed before the release of a song. The songwriters often work on SPEC and can be the last to know if their contribution has been used, when the negotiation window – which does not currently exist – is closed.
Christy took a year to record her versions of classics like “Tonight i’m Loel You” (Enrique Iglesias) “and” Blow Your Mind (Mwah) “(Dua Lipa), recruiting her daughters to sing songs and his friend Benj heard to allow her to shine songs that did not make the Billboard.” Hollywood’s Noterica “, released in 2008 who was a competitor for this year American idol Theme song. “I always say the album we have made, Aliens and rainbowswas one of the best records that I have ever involved. It should have been this huge smash, but the universe had other plans for him. »»
“I just wanted to sing the songs of which I was a part,” says Christy about the project. “Seeing that I started as an artist, then I went behind the curtain and I collaborated on all those songs that succeeded, I got to a point in my career where I thought, I would like to sing them. I certainly do not try to be a pop star at this age. But if you are a creative person, you should always be creative.”
Christy underlines a “spiritual nuance” to his lyricism as the line of the line of his work. “It’s about making people feel something,” she says. “I like to do deep deep stuff, but I can also write funny little ditties too.” Its process is adaptive to the environment in which it is, whether by working with Korn or Britney Spears. “I channel something. I can just be in the room and have absolutely nothing – I even introduce myself a lot of times without ideas – and I trust that something will pass. And I can feel it when the music begins.”
When asked if there was a genre that she has not yet conquered, Christy indicates one. “I had no success in the country,” she said. “But I love it. I just worked with Jesse Murph who is incredible. We wrote beautiful deep songs.”
To this end, Christy considers mentorship for the next generation of writers and performers as a responsibility. “My thing is, please, don’t just be a songwriter. There is not really a career for you right now. It’s a bit of volunteer work, ”she says. “The songwriters must adapt and become good in production. If you want to survive as a singer-songwriter now, you must produce and produce other people. And these young people, I see that they have so much passion on this subject. So thank God for people who get up to protect them.”
