Echoes of thirty seconds to Mars

Even without particularly like the repertoire, although very popular, of thirty seconds to March and despite the very hot evening, the idea of a rock trio was appropriate today, to reconnect with the sound which does not need too many instruments, nor colossal shows, to excite and entertain. But, in an excited arena, Flegrea, thirty seconds in Mars certainly did not revive the epic of the “power trio” of the 1960s, quite the opposite: a venerated leader and winner of an Oscar like Jared Leto had the vocal task of holding the difficult comparison with himself a few years ago; His brother Shannon brought the weight of an obsessive, secure and beating drum; Stevie Aiello’s guitar apparently changed the compositions (and arrangements) from pop to a rock front, but never really dirty them; The rest was made by recorded sequences, from bass to keyboards, and therefore the game of rock and roll is much less fun. Live but not too much, in short. But fans of the group agreed with that, they even appreciated the attraction of the tourist village artist with whom the star chief urged every two minutes to applaud his hands, to keep the pace, to sing with him (an old trick that still works), he was joined on stage by a few dozen spectators … The riffs and the chorus did not hurt, but the rest A little innoceusely. It seemed that the “rock focused on adults”, but in the public, the former children of the beginning of the century lived it as a generational nostalgia. The TSTM, however, sold its fair share of millions of records, from the first album in 2002 to “ It is the end of the world, but it is a beautiful day ” in 2023. The show focused entirely on music, lights, smoke and visuals “ `if necessary ”, the minimum guaranteed, and it was not disapproved, for once, in a setist “Monolith did not encourage the singer to comment on the hour of war in which we live and even scared a little when the public repeatedly repeated a` `fighting, fighting ‘metaphorical,` `a beautiful lie’ ‘,` `City of Angels”, in an acoustic interlude, and so on to the apotheosis of” Kill “.