A year ago, the director of “ Nobody 2 ” rendered this brutal and violent epic of revenge on Netflix

ahsan65@gmail.comAugust 17, 2025

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A year ago, the director of “ Nobody 2 ” rendered this brutal and violent epic of revenge on Netflix

Person was an action film that took the audience by surprise, as little would have expected Bob odenkirk was able to be the star of an assassin thriller in the vein of John Wick. Although it was going to be difficult for a sequel to be up to the fanfare that the first film received, Universal Pictures made a smart choice to select the Indonesian filmmaker Timo Tjahjanto To direct the next chapter in the adventures of Hutch Mansell. Tjahjanto directed the incredible epic of revenge The shadow moves awaywhich was celebrated as one of the best action films of the current decade.

Tjahjanto had already made a filmmaker interested in advancing the medium with his action cinema of violent and expressionist action. The night comes for us was a brilliant crime thriller who overthrew the expectations of Indonesian gangster films, and May the devil take you was a frightening horror work that explored the anxieties of aging. However, Person 2 is more than a simple action film, because it also explores a dysfunctional family which has trouble connecting together in extreme circumstances. Fortunately, The shadow moves away is a surprisingly emotional story of relapse and redemptionAnd presents a stimulating protagonist.

What is “the shadow of errors” about?

The shadow moves away Explore an international assassins union This operates worldwide, selecting high -level targets. Nomi (Aurorao Ribero)), an assassin of seventeen years given the code name “13”, is responsible for removing the chief of a criminal cartel in Japan, but accidentally kills a passer-by when the situation turns horribly. Although she is already dealing with intense feelings of guilt, 13 is temporarily prohibited for the organization by her mentor, Umbra (Hana Malasan), which sends it to receive psychiatric assistance in Jakarta. 13 can be content to take a break in the violence of which it is often surrounded. She shares a meeting with the child orphan Monji (Ali File), whose mother was killed by a trafficker. However, 13 discovers that Monji is at the epicenter of a criminal plot that implies the Haga trafficker (Agra Piliang) and the powerful drug lord Ariel (Andri Mashadi), which presents itself to political functions alongside his father Soemitro, another influential worker ankle. While the only objective of 13 was to protect an innocent child, she finds herself in the middle of an intense war of hell, in which the two parties aim for the total annihilation of their opponents.

The shadow moves away is surprisingly nuanced in its characterizationLike the Redeemer Arc of 13 experiences can be very moving. In addition to the trauma that the accidental death of a civilian caused him, 13 begins to blame herself not to protect Monji’s mother, which she had seen being mistreated by the subordinates of Haga. If it is admirable that it is 13 heroes, the film suggests that it is unfair to place this level of responsibility for a teenager who has never had the chance to live a normal life. Even if Umbra had trained 13 in the Martial Arts, Infiltration and Combat paths, she never had a mentor that provided her emotional support or advice. By protecting Monji, 13 is able to simulate the type of relationship that she has never experienced as it grows, because it is the first time that she acts for reasons other than “orders”. The film establishes greater parallels between the characters in the way it shows the inheritance that parents leave for children; Even Ariel could not expect to be a more ethical person because of the violent and cruel man in which he was raised.

‘The Shadow Strays’ has an inventive cinematographic fight

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The shadow moves away is an inventive entry into the kind of action Because it does not stick to a single style of stuntman. Between the sword fights, the intense matches of martial arts, other forms of combat with melee, the game of cannons and many exciting car prosecutions, The shadow moves away Show how Indonesian action cinema has evolved radically in recent years and why it is more exciting than almost all other markets. Although there are aspects of traditionalism in the classic notion of an old warrior league that have operated in secret, The shadow moves away Do not give them a feeling of chivalry that would be unrealistic in modern times. Sometimes it is shocking to see how much The shadow moves away are ready to obtain; Since Tjahjanto has experience The shadow moves away integrates certain aspects of body horror.

Even if certain aspects of the plot can remember other recent Indonesian action films, such as The raid,, Tjahjanto takes The shadow moves away In a surprising direction with its endwhich addresses more complex themes on the search for inner peace and inherent chaos of the world. Although it is a film that presents some of the most athletic cinematographies and choreography of recent memory, Tjahjanto does an excellent job to ensure that each sequence is anchored in character, while not leaning on the most sentimental clichés that may have made the film more commercial. While Person 2 is a very entertaining sequel that presents more odenkirk in what has become one of its best roles, The shadow moves away There remains the only entry into Tjahjanto’s filmography which could be called “a masterpiece” appropriately.