The White House seems to continue its affinity for the images generated by artificial intelligence representing Donald Trump in bizarre and deifiating themes, of a falsified photo of him as a potential pope to now a Sith Lord of Hunk Star Wars (None of these words are in the Bible).
“Happy May the 4th to all, including the mad radical crazy people who fight so hard to bring the lords of Sith, the murderers, the drug lords, the dangerous prisoners and the well -known members of the ms -13 gangs, in our galaxy. You are not the rebellion – you are the empire. May the 4th being with you”, the official account Truffle.
Naturally, the photo generated a burst of mixed responses, with certain commentators pointing towards the irony of the use of a red laser lighting, a weapon in the original Star Wars A franchise which means that a bad guy mania. Fans of the universe created by George Lucas also noted that he had based the Sith fascist and dictatorial empire on Nazi Germany – both its aesthetics and its ideology.
Others in the comments argued that the saber was actually orange (brandishing colored wheels to assert their points) and more modern Star Wars Registrations see the benevolent jedi using such sabers. Still others pointed out that red was a prominent gop color, while some urged Trump Franc-Juge Mark Hamill (the one and only Luke Skywalker) to comment on the issue.
Since the image is published on the official account of the social media of the White House, it will probably be archived as an official recording of the Trump 2.0 administration, as was done with the platforms of Joe Biden. Much online shouts online behavior “embarrassing” and “cringing the professional account”, exacerbated by widely decried publications which adopted mocking tones concerning the unjustified expulsion of Kilmar Armando Abrego Garcia and the treatment of prisoners in the maximum security prison Cecot in El Salvador.
The use of AI is a characteristic of the Trump 2.0 era, with the White House previously under fire for its studio-Ghibl-Isolé the image of an ice officer holding an immigrant in tears-something that many theoretical would deeply disturb the venerated co-founder Hayao Miyazaki, who is firmly anti-ai, having described technology as “grodesque” and “an insult to life”. With the proliferation of Gen-Ai, ethical concerns towards its application have reintegrated the spotlights, including problems of water and energy consumption and the waste and the alarm of artists on creative autonomy and exploitation.
