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“ A House of Dynamite ” from Netflix made its debut at the first trailer and at Stunning Rotten Tomatoes Score after the beginnings in Venice

After eight years of cinema, Kathryn Bigelow has returned explosively. His latest thriller, A dynamite houseCreated at Venice Film Festival to shine the first criticisms, preparing the field for its deployment in theaters and on Netflix this fall, while Netflix also abandoned the trailer for the film. The nuclear thriller, written by Noah OppenheimImagine the White House which rushes to identify and respond to a launch of missiles not attributed against the United States. With Bigelow behind the camera, criticisms call it a terribly plausible nightmare scenario.

A dynamite house Drop the public into a blocking procedure which takes place almost in real time. While the government’s representatives run against the stopwatch, Fray and Panic lightening settles, building in a crescendo which has already been described as unbearably tense. The casting is stacked with talent: Idris Elba,, Rebecca Ferguson,, Gabriel Basso,, Jared Harris,, Tracy Letts,, Anthony Ramos,, Moses Ingram,, Jonah Hauer-Kingwith Greta Lee And Jason Clarke. Kaitlyn Dever – freshly out of his role acclaimed in The last of us Season 2 – Characteristics also, alongside a support set, including Renée Elise Goldsberry, Kyle Allen, Brittany O’Grady, Brian Tee, Gbenga Kanannagbe, Willa Fitzgerald and Malachi Beasley.

Production has brought together Bigelow with longtime employees: the director of photography Barry Ackroydproduction designer Jeremy Hindleeditor Kirk Baxtercomposer Volker Bertelmannand sound designer Paul NJ Ottosson.

Bigelow and Oppenheim produced alongside Greg Shapirowith Brian Bell And Sarah Bremner serving as executive producers.

“Is a dynamite house good?

If Venice Buzz is an indication, Bigelow has not lost its edge. Deadline wrote:

“”[Kathryn Bigelow] has not lost your mojo if this thriller biting nails is an indication. Let’s just hope that the world will take note of it because this explosive story scares many respects, but above all because it is so completely plausible in the powder barrel of a planet in which we currently exist. »»

The Guardian awarded the film 5/5 starsThe appellant “a terrifying and white handle” and “an impeccably built nightmare procedure”.

GQ also praised the film, describing it as “brilliantly constructed and captivating as hell”, but was not sold on his chances of Oscar: “The film can be too emotionally limited for the voters of the Oscars – although it is so brilliantly sewn by the editor -in -chief Kirk Baxter That you find it difficult to imagine anything else winning this particular prize. But as the Netflix films leave it, it is about as good as possible – the last thing you will do during this two -hour block is to watch your phone. And it’s a step in the right direction, at least.

The film opens October 3 in the United Kingdom,, October 10 in some rooms in the worldand finally strike Netflix on October 24.

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