The replacement series of replacement crimes of HBO Max dominates global streaming graphics

If you are wondering what could fill the gap left by MoblandThe answer came in high, granular and labeled with chasouses. This city is oursA sprawling gangland epic of Liverpool created by Good mothers scribe Stephen Butchardis officially the most watched show n ° 7 of streamer in the world from this week – and it is without An American release date. The series was launched earlier this year on BBC One and was immediately praised as a spiritual successor of shows like London gangs And Peaky Blinders.

Now in international streaming on HBO Max (but especially not yet in the United States), This city is ours has exploded in popularity through Europe, Australia and South America, where it is rented for its dark themes, its rapid writing and its Shakespearean betrayals.

With Sean Bean (Game of Thrones,, Time) As a boss of aging crime Ronnie Phelan, the show focuses on a fractured gang that fights to stay alive as a quarter of power and family tensions that have crossed the organization. Bean’s Phelan thinks of resigning, and that turns on the fuse: his faithful friend Michael Kavanagh (James Nelson-Joyce) wants to keep things together, while Ronnie Jamie’s own son (Jack McMullen) prefers to burn everything and start again.

The cast includes a number of familiar faces and rising stars, in particular Hannah onslow As a partner of Michael Diana, Darca Shaw like the fiancée of Jamie and her child’s mother, and Stephen Walters And Saoirson Jackson As part of a rival family that turns for killing. The crown The producers of Bank Pictures are at the origin of the show, bringing the same touch of prestige to this saga of crime soaked in blood and beer.

What is good in “this city is ours”?

To start, tone. While Mobland leaning on the stylized American black, This city is ours is blurred and anchored – Think The thread With the Liverpudlian slang and a faster heart rate. Critics called him “modern, mind and authentic”, and it is not an accident: the scripts come from Butchard and writer Robbie O’Neillwhile Salisbury poisonings‘ Saul Dibb Leads a range of directors who do not punch.

“This city is ours will explode the bloody doors,” said the CEO of the left bank Andy Harries said before the first, and, well – he was not wrong.

With a budget reported from 3.2 to 3.8 million dollars per episode, the series is relatively inexpensive according to dramatic prestigious standards. But Sony’s intelligent support (which manages international distribution) and the own Liverpool cinema office helped to advance the project. This is now part of the growing slate of Sony’s international eruptions – and probably a future competitor to the EMMY once it falls in the United States

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