Taipei’s advanced post-production films up Taipei add more fireplace to his creative team at the Busan International Film Festival and Asian Content & Film Market (ACFM). The company has officially associated with the French colorist acclaimed Yov Moor, marking the last expansion of the publishing and finishing workshop of the store, which has become a must at the best festivals.
Moor, better known in Europe for his lush ranking work on cane titles such as Tran Anh Hung’s The taste of things And Gilles Lelouche’s Beathas long collaborated with the co-founder of Cutting Edge, Matthieu Laclau, the French editor-in-chief celebrated for his work decade with Jia Zhangke. The pair was first associated with noon z Mandalay’s road And have since built a shared curriculum vitae of 10 films – many produced by the co -founder of Cutting Edge Justine O.
This year in Busan, the partners arrived with The sun rises all By Cai Shangjun (costs of his world first in competition in Venice) and Tetsuya Mariko Dear stranger. Elsewhere in the programming, the moor noted Richard Linklater’s New wave and Juliette Binoche’s experimental project Moving in motionWhile the cutting edge pillar Tom Hsing-Ming Lin managed the modification of Lee Hongi Dance in vain.
“Whenever I work with Yov, I can’t wait for the moment when I receive his first rankings,” said Laclau. “In the editing, we look at the images again and again until we lose all pleasure in seeing them. But each time Yov notes a film, I have the feeling to watch it for the very first time.”
Now based in Tokyo, Moor, like Laclau, is one of the rare talents of Western post-production deeply anchored in the film industries of Asia.
“Having them in the same team is the dream of each producer: they both push the limits, improve the director’s vision and bring films to the demand for international festivals,” Cutting Edge said in a press release.
The expansion of Cutting Edge occurs while Taipei continues to consolidate its reputation as one of the most dynamic post hubs in Asia, offering a world class finish with competitive costs. Moor’s recent record – adds to this momentum.
“We are so proud to welcome Yov to advanced films,” added the company. “Over the years, we have built confidence and friendship, and our shared wish is to collaborate on as many films as possible.”
