Amazon MGM Studios and the psychological thriller of Luca Guadagnino After hunting Lance today at the Venice Festival and this is a opportune subject.
Julia Roberts is casting the casting as a university professor who finds himself at a personal and professional crossroads when a star student (Ayo Edebiri) leveled an accusation against one of his colleagues (Andrew Garfield), and a dark secret of her own past threatens to come to the light. Michael Stulbarg and Chloë Sevigny also play in the film, which addresses the themes of Cancel Culture, the Metoo Movement and the Free Speech.
Critics are starting to have their saying about the film and the answers so far have been definitely mixed. Roberts, however, comes for coherent praise.
The deadline was one of those who rented Roberts and connect with the film: “Although its conversations on the mandate can be a chore, its presentation of the modern campus as a sum – in terms of battlefield for progressive policy – strikes a very opportune agreement. He is also of Julia Roberts of Shets for a very long time, a useful millet for a superb image.
The Daily Telegraph of the United Kingdom gives the film five in five stars, calling it a “crop thriller of diabolical cancellation” and proclaiming that Julia Roberts is “back to her best”.
To read the Times of London review, you will need a subscription, but the paper loudly affirms: “Julia Roberts will win an Oscar for this story of metoo”.
La Playlist gave the film a partition C +, noting: “The concerns of the film do not reside as much to existential questions of morality but with more primitive questions of desire.
The Guardian was not a fan, giving the film two stars and calling him a “accusation drama of confused campus”: “The last complexity of Luca Guadagnino is tight in his own sense of relevance, as a desire to find complexity in a scandal in Yale becomes a jumble of ideas on the campus on campus #MeToo on the #MeToo campus.
The film’s stage also makes the film, the appellant “regressive and without imagination”: “After hunting aims to approach our so-called culture of cancellation, but the fight with this weight subject is not the same thing as what matters significantly; If there is something really uncomfortable in Guadagnino’s film, these are not button thrust problems but the reactionary way to trample them. “”
The South China Morning Post gives the film 2.5 / 5 stars, the appellant “confused”: “while Julia Roberts shines After huntingWho explores the chaos of a case of sexual assault, the real knot in history remains uncertain. »»
Deciding also had trouble with the film, saying: “He could be too intelligent for his own good”: “The film moves somewhat languidly because it involves the necessary movements of the preliminary stadiums of the management of allegations. The dialogue between the characters carries an aura of predetermination, because all the participants understand the roles they will play in the editorial staff. and the cold color palette, a notable reversal of the usually lush styles of Guadagnino, and After hunting May feel a bit like a Gussed-Up potboiler. »»
Written by screenwriter Nora Garrett, the film follows following the sports romance of the Italian director of always Guardagnino ChallengeWith Zendaya, Josh O’Connor and Mike Fait, and WeirdWith Daniel Craig.
Producers After hunting are Brian Grazer and Allan Mandelbaum for Imagine Entertainment and Call me by name The Guadagnino Oscar candidate under his banner Frenesy. Garrett also performs with Karen Lunder d’Imagine.
The functionality will be launched on October 10.
